"Tela orchestrates a vast array of resonant peaks, intertwined to form a critical mass of sound. It models nothing – it's a synthesizer for the here and now, to discover and create anew.
In a careful balance of depth and immediacy, Tela explores the inherent character and capabilities of modal synthesis. Like a practical joke, Tela bends a myriad of partials into perfect symmetrical waveforms only for them to dissolve into otherworldly timbres and textures mere seconds later. There are no rules.
Modal synthesis
Imagine hitting a thin piece of metal, a piece of glass or the membrane of a drum– the material vibrates and rings out with its inherent timbre, affected by the motion of the impact and the strength of the hit. This is the basis of what modal synthesis recreates.
"Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based)."
"Butterflies, bats, 16mm swarm: Gieskes Klok modulates itself and No Drum and Olivia Artz Modular Uncertainty, which modulates No Drum, while Klok gates No Drum."
This appears to be the first post to feature Olivia Artz Modular. Details on their modules follow via Perfect Circuit and Noisebug.
"Uncertainty from Olivia Artz Modular is a 2hp coin toss module; it is open source, with new, user-swappable firmware being developed. So, it will continue to grow and offer new functionality!
In the standard firmware, the top input accepts gates, triggers, or any signal between -5V and +5V. Based on whether the input is positive or negative, it uses two different types of logic to produce gates at the corresponding eight outputs. If the input is above +1V, then the module does eight differently-weighted "coin tosses"—one for each output. If the outcome of the toss is "heads," a +5V signal is output for as long as the input stays above 1V. If the input signal is -1V or lower, a slightly different coin toss algorithm is used, where the outputs are paired—if the result of the toss is "heads," the upper output of the pair in question sends out a signal, and if it's "tails," the lower outputs sends out a signal.
Alternate firmwares are available for free, and loading them is as easy as plugging in your module via the rear PCB USB connection, dragging on a file, and you're done. The first new official firmware is a VU meter—with the panel LEDs displaying the current voltage level, and each LED getting a dedicated gate output—somewhat like a multi-window comparator! Olivia Artz's Uncertainty module is a great way to add chance operations to your rack without sacrificing space.
UNCERTAINTY FEATURES
2HP chance module with alternate firmwares available Default firmware uses two distinct coin toss algorithms to convert incoming bipolar signals into eight streams of outgoing gates Open source One CV input with 10-bit resolution Eight gate outputs"
"Join us as we embark on a sonic journey with Replay, a new polyphonic synthesizer and multi-mode arpeggiator from Vongon. First up we test its prowess in the realm of synthwave - spoiler alert: it excels! In the latter half, we delve into the interface and its versatile capabilities complete with an immersive sound exploration, unleashing the arpeggiator and tweaking various parameters for a mesmerizing experience. Video and music production crafted by DeadMidi.
"Replay is a six-voice polyphonic synthesiser and a little window into synth heaven.
Lush pads, tiny plinks, snappy arpeggios, warbling melodies, resonant filters with midi connectivity and a sleek web interface!"
Vongon Replay Virtual Analog Synth | Overview + Exploration
"A demo and walkthrough of the new polysynth Replay, by Vongon. Replay is a 6-voice polyphonic synthesizer with a compact form factor that takes inspiration from classic poly synths from the 1980s, like the Roland Juno series + the Korg Polysix.
This video includes an overview of what Replay is and how it works, along with a number of sound examples demonstrating Replay on its own and in combination with FX pedals, to create a wide range of sounds from classic synth leads, pads, and arpeggios to more experimental textures and noisy sound worlds."
TIMESTAMPS:
00:00 Intro
02:45 Replay Overview & Tour
17:03 Musical Demo
19:09 Filter Experiments on Replay
23:50 Exploring the Arpeggiator
28:00 Combining Replay with FX
"Today we take the beautiful Replay by Vongon out for a spin and also have a conversation about synthesis basics in honor of my five year synth-a-versary. Vongon really hit it out of the park with this instrument and--whether it's your first synth or your 10th-- there's a lot here to love."
VONGON REPLAY Polyphonic Synth & Arpeggiator | Can I write a synth-pop track with it?!
"Man, I just love gear that makes you approach writing differently. That reminds you how fun it can be to find new sounds and feels, explore new ways of composing. And today, the new Vongon Electronics REPLAY is doing that for me - a super fun, approachable, compact polyphonic synth and arpeggiator."
"The Replay is the first synthesizer offering from boutique pedal designers Vongon, offering a six-voice virtual analog sound engine with multi-mode arpeggiator. Inspired by beloved keyboard synths of the early 80s like the Roland Juno and Korg Polysix, the Replay faithfully delivers warm and lush vintage timbres in a compact package that drips with modern aesthetics and utility. In Replay, Vongon has struck an impressive balance between scope of features, user experience, and overall sound quality. The result is an instrument that sounds wonderfully rich and nostalgia-laden, with an interface that is easy to understand - perfectly approachable for a beginning synthesist, yet deep enough to inspire veteran wigglers to explore the edges of its capabilities.
Replay's front panel is incredibly straightforward, with simple controls for its primary functions conveniently accessible. Additional options are selected via the "secret menu" alt functions. At the heart of Replay's sound engine are multiple selectable waveforms for its primary oscillator, with ramp, square, triangle, and sine modes. Noise amount, pulse width modulation, and LFO pitch modulation offer further timbral manipulations before passing to the four-pole, low-pass filter. Highly resonant and warm, the filter includes modulation depth controls from the primary envelope, keyboard tracking, and the LFO. The VCA features options for maximum amplitude and modulation source. An organic and responsive ADSR envelope and the on-board LFO round out this straightforward voice, with flexible modulation routing options between the main controls and alt functions.
The multimode arpeggiator on the Replay opens up a variety of fun and engaging options for controlling the synthesizer voice. Latch and keyed modes, in addition to the three poly modes available on the alt functions, offer a variety of ways for creating snappy and spiraling arpeggios and fuzzy, morphing pads. Up/Down, order, and random modes provide further ways to organize pitch material. The alt functions allow the LFO to be clocked by the ARP speed, creating rhythmically modulated phrases that are a joy to get lost in.
All in all, the Vongon Replay delivers a premium virtual analog experience that feels streamlined and purpose-built for getting beautiful analog sounds quickly. With plenty of depth in sound color and just the right amount of tricks up its sleeve to keep you immersed in music making rather than menu diving, the Replay is sure to become a go-to instrument for lush pads and other classic synth timbres. Its physical design is beautifully simple, and the responsive feel of its Cherry MX keys invite playful interaction that is hard to put down. Of course, the Replay is a lovely source for running through Vongon pedals, creating an instant synthwave or soundtrack machine paired with an Ultrasheer or Polyphrase. If you're needing a straightforward synth with limitless sonic charm, the Vongon Replay is a wonderful choice.
"Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based).
https://madronalabs.com/
Chapters: 00:00 Intro 00:24 Granulator Overview 02:53 Waveform Display Window 03:33 X & Y Sliders 04:59 Source Menu 05:16 Importing into Granulator 06:23 Pitch Control 07:03 Linear and Exponential Inputs 07:21: +/- Input 07:43 Patch Demonstration 1 09:21 Continuity Error Acknowledgment 09:31: Trigger Input 10:14 Follow Button 11:04 Overlap Control 11:49 Sync Button 13:01 Wrap Button 14:14 Patch Demonstration 2 15:40 Noise Button 16:17 Pan Control 16:40 Patch Demonstration 3 16:51 Outro"
"We asked ourselves, what if we could rebuild the legendary K2000 V.A.S.T. synthesizer, but using today’s technology?
Enter the new K20 Series…
Dynamic Variable Architecture Synthesis Technology (V.A.S.T.) 61- note synth action or 88-key fully-weighted hammer action w/ aftertouch New industrial design with an aluminum+steel enclosure Resculpted K2000 synth library Compatible with K2 era libraries 32 layers per program Customizable algorithms Flash sample playback, VA, FM and KB3 engines 2 GB of factory sounds 2 GB user sample memory Versatile FX chains and master FX section 256 voice polyphony 480×272 color screen 16-zone MIDI controller Over 30 physical controllers per zone including an integrated ribbon 16 Arpeggiators 16 MIDI CC sequencers 16 RIFF generators More info coming soon!"
"We take a look at the brand new Baby Audio ATOMS - a physical modeling synth based on the Mass-Spring concept.
At a basic level: The specific physical model has been turned into an instrument by Silvin Willemsen and Baby Audio. There are masses (usually balls) connected by springs (virtually of course). These are excited by a bowing action and so the masses move and the springs react.
In its simplest form these are sine waves, but with additional parameters thrown in the algorithm they become more complex.
Weird, yes and sonically pretty pleasing when process by the rest of the ATOMS voice architecture - namely, a filter and a reverberator.
What you'll find are atmospheric, organic and certainly unusual sounds that share a common ground. Its an early release, with a couple of missing things - MIDI mapping for instance, but these we suspect will soon be added.
"Synthesis from the other side Atoms is a new kind of synth plugin that uses cutting edge physical modeling to generate an endless variety of organic and otherworldly sounds. Use it to build rich and alive textures the world hasn’t heard before.
COMPLEX PHYSICS IN A SIMPLE PACKAGE Physical modeling simulates the behavior of real life instruments. But Atoms takes you beyond what’s possible in the natural world. Its features are deep enough to explore the outer bounds of sound design, yet so simple that you can easily mangle, shape and create.
Atoms is powered by a simulation of interconnected masses and springs with tweakable properties and dimensions. The model is triggered by a virtual bowing action that excites the system and makes it vibrate to generate sound.
A LIVING ORGANISM Nothing in the natural world is ever truly static. Physical modeling mimics this by generating sounds with the same organic fluctuations as acoustic instruments.
Atoms takes it even further. Its six main parameters can be automated with a selection of powerful motion options to add extra life. This lets you create soundscapes that are constantly shifting and re-generating, like a natural organism.
If you’re used to working with sample libraries, Atoms will bring a new level of otherworldly realism into your tracks.
PROGRAM NEW PATCHES WITH A CLICK Atoms comes equipped with a powerful randomization engine. It’s a musically calibrated algorithm that selectively adjusts each parameter based on its relationship to the others, giving you usable patches with every roll of the dice.
You can narrow the algorithm further by limiting the random ranges for any knob or locking parameters from changing.
Finally, the Recycle button is a second randomizer that will create new patches similar to the current patch. Once you have a sound you like, click recycle to explore related options.
PHYSICALLY MODELED EFFECTS The bottom panel gives you a range of creative effects to further sculpt your sound. You can also choose between four sonic profiles, each offering a different structure of the mass-spring network simulation.
With the exception of Space (reverb), all effects in the bottom panel are created inside the physical model itself. This gives you a range of unique modulation effects that are an inherent part of the physical model and sound more natural than any separate FX chain ever would."
Elyra is played with the typical gestures of playing guitar and bass and all the energy that comes from it. You play with your whole body.
There are two strumming aera for strings, one dedicated to back and forth and another dedicated to bass and arpeggios.
Elyra is designed to be played by both righ-handed and left-handed people.
You can also play it placed on a table or on your knees like a groove box.
A POWERFUL AND UNIQUE COMPOSITION TOOL
With up to 16 voices polyphony, spread across 16 instruments/layers and with is powerful sequencer , Elyra is more than a groovebox, it is a composition tool.
You can have one instrument with 16 voices or 16 instruments with one voice and everything in between.
Because Elyra is battery powered, you can carry it anywhere with you and play for several hours.
You can play and sequence all your other instruments via MIDI port.
A SOUND ENGINE MADE FOR US BY KODAMO
At the core of Elyra there is a powerful and beautiful sound engine created for us by Kodamo.
It is a virtual analog engine based on substractive synthesis with just enough FM synthesis to offer a vast sound territory.
It has many parameters to sculpt and create a unique sound.
RAISED TOUCH BUTTONS
All Elyra buttons are touch sensitive pads made up of a slightly raised area allowing the user to feel physical feedback.
This is capacitive sensor technology which offers an extremely fast response time of 2 ms.
There are 5 distinct areas on the main panel:
the fretboard composed of 4 * 12 pads
the strumming area separated into two type, A and B
two assignable slider
an OLED screen with its wheel and its 8 contextual buttons"
Here we have simple note sustain while modulating grain bandwidth, overlap, placement (in stereo field), distortion drive and filter cutoff frequency. Oh, and our first reveal of the delay unit!
2. Violin and ambience with Groc granular synth
Here we are editing sample loop points, ADSR envelope and Groc's unique "time path" to create lush sustains from a short violin clip.
3. cool fall day + warm groc tones
walking on a cool fall day, accompanied by warm tones produced by groc granular synth
4. Groc - LED sequence with spatial sound
This video shows the first testing of the groc interface board, and includes the first audio demonstrations of spatial sound overlaid. Headphones recommended!
5. Groc Demo - Grain parameters
First demo of groc's grain parameters with a guitar loop as audio sample.
"Sculpt sound. Modulate everything. Do you groc?
Stunning, yes.
Slim, yes.
Powerhouse, also yes. quad core 64-bit ARM processor 1GB RAM, 4GB of user storage vivid DSI touch screen cutting edge signal processing fits in a bread box
Not like the others.
Groc demonstrates that a compact form can deliver unparalleled functionality. Access dozens of parameters in the custom granular synthesis engine with 4 grains encoders. Achieve one-of-a-kind manipulations of playback speed, shape multiple envelopes, edit audio sample crop and loop points, adjust 4 LFOs, 3 macros and morph between patches with just 8 more encoders. Add in an entire world of effects, accessed with just 4 more. The large and vivid touch screen provides rich information and beautiful visualizations of your sounds, and enables deep functionality within just a touch or two. Is this where we mention the placard at Oddment HQ that reads, “Down with menu diving!”?
Patch without limits.
Every parameter on groc is a modulation destination, and connecting modulation sources is as easy as plugging in a patch cable (w/o the need to search in your closet).
To go with its myriad destinations, groc has a bounty of modulation sources: 4 LFOs, 4 envelopes, MIDI velocity, key tracking, polyphonic after touch and all the rest. In the event you were hoping to use a physical patch cable, yes, you can use groc’s modulation sources to wiggle analog voltages via the 4 control outputs. Or configure them as inputs to control any of groc’s parameters with CV from your other gear, a sustain pedal or you name it.
Did you want to sequence a parameter, or draw a custom modulation curve on the touch screen? That seems reasonable and groc will support you. Do you want to connect a dozen or more modulation sources to the same parameter? That is far less reasonable, but that’s just, like, our opinion."
"Experience hands-on, fun music-making with this DIY, easy-to-assemble synthesizer and effects generator. The compact and incredibly powerful NTS-1 mkII now offers an array of new features: refreshed interface, more customization options, new keyboard, built-in sequencer, fresh sounds, expanded MIDI capabilities all in the palm of your hand. (Tool included, no soldering needed)."
The microKORG 2, 8 voice synth and vocoder engine. 4 voice in dual/layered mode.
"The microKORG, one of the most iconic and recognizable synths in the history of music, revolutionized the music world with its unique form factor and unmistakable sounds, making it an industry standard for musicians everywhere. Renowned and loved by musicians, sound engineers, producers and gadget buffs everywhere, the microKORG has now evolved to a more powerful, more flexible and richer level - the new microKORG.
While retaining some of the iconic aspects of the original , including the convenient portable size, easy to play mini keybed, the large dial for selecting program genres or the vocoder with dedicated mic, the new microKORG offers a completely new, powerful sound engine, many more useable programs, a visually astounding user interface, and so much more."
Fully Recreate the Legendary Sound of the World's First 16-bit Video Game Console from the Late '80s
You too must have fallen under the spell of the extraordinary visuals and sounds of the groundbreaking 16-bit video game console that once dominated the world! It was powered by the iconic YM2612 sound chip, a legacy that endures even today.
The MEGA SYNTHESIS has resurrected the sound engine of this chip. We've faithfully recreated the 4-operator & 8-algorithm FM sound module, the 8-bit PCM sound module, and the "SN76489" PSG (Programmable Sound Generator) sound module used by the original console.
Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based).
Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based).
Chapters
00:00 Intro
00:13 Module Overview
01:39 Output Distribution & Width Control
02:58 Peaks Control
03:58 Falloff Control
04:23 Ramp Function
05:33 Output Control
06:00 Auto Switch
06:30 Modulation Inputs"
"When I made the popular YouTube series 'FM Catalogue of Materials', many viewers commented that they would love to see some more of the 'music tech as cinema' style created in the videos.
My new project 'Luminous Trilogy' release, does exactly that. In part 1 'WTD', synths and synth technical diagrams, together with Pure Data/Max patches, become casual parts of the film's environment, which is set in an alt near future. Part 1 was realised with analogue modular, whereas Part 2 "Breath" was scored using binaural audio, VCV rack and live Indian tablas. Part 3 'Contrails' uses physical models, Samplicity's Berlin Studios and vintage FM hardware."
Update: Element433 has made the VCV patch and assets used in the film "Breath" below a free download. You can find instructions on downloading the patch and setting it up here: http://tinyurl.com/e433WpBrvcv.
"Three music shorts around the theme of light, from incandescent urban folklore set in the near future, electric neon glowing medussae to impossible skies, all to the sound of dark ambient and techno-world music"
Playlist:
Walking The Dulzaina - Luminous Trilogy - Part 1
Walking The Dulzaina is an edited one-shot music film which details the manic walkthrough time-lapse of an imaginary synthesised dulzaina (Spanish folkloric instrument) being taken for a walk through the "Las Vegas" like dressed streets of a small village festive celebration set somewhere in the near future.
The visuals are nods to the Bladerunner, Lynch, Weirdcore and Kubrick where the glow of transparent neon CRTs, display technical diagrams with a music technology theme. Some suddenly slide up from the ground, while others cross from one side of the street to another.
The music is inspired by minimalism, industrial techno synth-folk where Steve Reich and Techno meet Raymond Scott and 1960's BBC radiophonic.
Musical Equipment Detail:
Intro: Moog Subharmonicon through Fairfield Randy's Revenge ring modular - into two crunchy Elby Systems stereo valve preamps and out into a stereo pair of Doepfer A-199 spring tanks).
Dulzainas: Buchla Easel Command sometimes untreated and sometimes solo through a J.H. 'Son of a Storm Tide' stereo analogue studio flanger (built by Van Daal Electronics (second dulzainas and very low transition whoooses).
Buchla and Subharmonicon sync locked and clock divided by Ornaments and Crime clock divider.
Final wormhole sequence: Subharmonicon through stereo A-199 Doepfer spring reverbs and Paulstretched.
This work is not sponsored by any the manufacturers mentioned. They are personally purchased pieces of equipment.
"Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based).
https://madronalabs.com/
CHAPTERS:
00:00 Intro
00:18 Getting started with LFO 2D
00:29 LFO Shapes
00:53 2D Shapes Explained
01:35 Quantize Button
02:12 X & Y Outputs
03:21 X & Y Offset Sliders
04:08 Offset Dial
05:11 Reset Input
06:12 Rate Control
07:09 Knights and Rain LFO Shapes
08:32 Outro"
"Sleepy Circuits has announced their latest device, Mezzz, a portable handheld haptic wireless MIDI talisman that fits in the palm of your hand.
Mezzz can control over 1,000 CC messages via Bluetooth MIDI. It is class-compliant and works with hundreds of Bluetooth-enabled devices. Mezzz is easy to pair and boasts more than four hours of battery life. Mezzz features haptic-enabled encoders which make a buzz for each MIDI value and stop buzzing when you have reached the end of the MIDI CC range. Clip Mezzz to your belt or bag and bring it everywhere – shows, cafes, parks, studios or wherever your next adventure takes you!
Feature Highlights
Bluetooth Connectivity
Fully class-compliant and working with hundreds of Bluetooth MIDI enabled devices. Even older non Bluetooth devices can easily be adapted to wireless MIDI with third party hardware.
Eight Haptic Encoders
Mezzz buzzes as you change parameters, and when you reach the end of the parameter, it stops, giving immediate physical feedback. This approach brings some of the benefits of analog potentiometers to digital encoders and allows intuitive control without having to look down.
Daylight Readable LED "eye" display
The LED 'eye' ring indicates the parameter position and the current page of parameters you're currently on with its daylight-readable LEDs.
Orientation/Gesture Control (Inertial Momentum Unit)
Twist and move to the music and watch the shapes follow on the screen! The Inertial Momentum Unit uses AHRS sensor fusion to give you dynamic gestural control.
Side Buttons and Context Sensitive Center "Action" Button
Easily change the MIDI channel you’re on, and use button combinations to quickly randomize any CC message or reset a parameter back to its default state.
Hang-able, Pocketable and Fashionable
A carabiner and wrist strap is included so you can take Mezzz anywhere and look good doing it!
>4 hours of Battery Life
USB-C Charging and long-lasting battery life allows true wireless freedom.
Includes vidOS - a Cross-Platform Video Synthesis Companion App
A 3D evolution of Hypno's engine, available on macOS, iOS, and iPadOS. Once released this app will be free for all midi users and eventually feature premium in-depth visuals systems from the sleepy lab.
Mezzz is available for preorder now and will be shipping late November!"
Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based)."
Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based).
"The Brooklyn Synth & Pedal Expo, a free for all interactive display of synthesizers and pedals of all kinds, will return to Brooklyn on the weekend of October 21st and 22nd in a new, larger venue in Greenpoint.
Hosted in a 6k sq ft warehouse in the heart of one of Brooklyn’s most musical neighborhoods located between Williamsburg and Queens, this year's event is expected to be attended by around 2k visitors. Pictures from previous editions can be found here [you can find some video coverage in previous posts here].
Morton Subotnick and Steve Horelick VIP Guest Speakers The organizers are excited to announce the involvement in this year's expo of two legendary NY synthesists who will be hosting talks and a performance on Sunday 22 in the 70-seat theater embedded in the venue
"Buchla Focus" on Sunday October 22 The two presentations will be part of a 3 hour block from 12pm to 3pm on Sunday 10/22 dedicated to Buchla, which will also feature a Music Easel product presentation and an industry panel featuring the company owner Eric Fox among others.
The full program of talks and workshops can be found here.
Morton Subotnick, one of the pioneers in the development of electronic music and multi-media performance, is best known for his 1967 composition Silver Apples of the Moon, the first electronic work commissioned by a record company, and for his creative output linked to Buchla synths. He will host a talk about synthesis on Sunday October 22 in the early afternoon (schedule to be released soon). He will be the event's keynote speaker.
Steve Horellick is a tireless educator and acclaimed soundtrack composer (he wrote the Butterfly in the Sky song from PBS's Reading Rainbow). He is also known for his immersive, textural surround performances. At the Brooklyn event, he will perform using a hybrid setup of synth and pedals in surround sound. Steve will be hosting a talk/performance involving several synths (including Buchla) and some guitar pedals.
Eurorack Classes and GSG.live workshops The schedule of the presentations will be also integrated by two Eurorack classes hosted by Ben Atchouel of the New York Modular Society and two workshops about online performances curated by the team at GSG.live.
Confirmed Vendors Visitors will find a varied mix of companies, over 70, with almost all the heavyweight synth and pedal brands and several boutique builders, and also a selection of Eurorack and many pedal builders. Full list below.
